In 1995 the novelist Paul Auster had a short piece published in The New Yorker called ‘Why write?’ The piece is divided into five sections. In the last section, Auster describes the moment after which he says he started carrying a pencil with him wherever he went. He explains:
It’s not that I had any particular plans for that pencil, but I didn’t want to be unprepared … If nothing else, the years have taught me this: if there’s a pencil in your pocket, there’s a good chance that one day you’ll feel tempted to start using it. As I like to tell my children, that’s how I became a writer.
I have shared this piece with many higher education students possibly because I frequently find that I too always have a pencil or pen with me. The pen or pencil, or as it the case with this piece of text, the keyboard, are the writing tools that open up the world for me in different ways. The form of this article (the genre) has helped me to distil these apertures into three ideas all of which are elements of my answer to ‘why write?’ This question seems more compelling than ever when I am in conversations with colleagues and friends daily about ChatGPT and similar text generating software.
The 3 ideas:
1- I write to think
Writing is a remarkable thinking and learning tool. We know this from the literature, for instance the scholarship on writing to learn, and also from our practice (Kiefer et al., 2000-2021). Often, it is when I have got to the end of a piece that I finally work out what I really want to say. Writing is so synonymous with thinking for me that when I have something to consider I instinctively reach for a pen, whether I intend to write or not. Working with undergraduates and postgraduates, I encourage them to use writing to explore their thinking and to organise their ideas.
2- I write to articulate who I am
In the scholarship on writing, the sometimes complicated notion of ‘voice’ appears. Elbow and Belanoff exploring voice in writing refer to speech: ‘There is only one way to write a word, but an infinite number of ways to speak it … And yet some written language makes us hear a voice from the silent page, and thereby captures in writing all those subtleties of the actual human voice’ (2003, p.171, emphasis in original). When we write with authenticity and to produce unique texts, we reflect who we are, what we believe, how we want to be understood, how we want to be heard. In writing we can sound our voice.
3- I write to connect
While we sometimes write just for ourselves - we are our reader - we often write for others. In higher education this can be an assignment for our lecturer, an article for fellow researchers, a report for colleagues or stakeholders, or, like this, a piece across borders to readers unknown. Whether the reader is known to us or not, there is a sense of audience. That sense means that there is a connection in the writing which is an exploration of belonging. Kevin Roozen captures this in his explanation of the threshold concept of writing studies, ‘Writing is a social and rhetorical activity’; he says ‘writers are always connected to other people …. Writing puts the writer in contact with other people’ (pp. 17-18); in this instance, the connection is with you, the reader of this piece. The urge to connect through writing also appears for me in co-authoring where I can connect with fellow writers to create a new shared voice.
These three elements, thinking, voice, connection, are deeply human. For me, these are good reasons to write.
References
Auster, P. (2015). ‘Why Write’ in The New Yorker, December 25, 1995 and January 1, 1996 issue.
Elbow, P. and Belanoff, P. (2003). Being a Writer: a community of writers revisited. New York: McGraw-Hill Higher Education.
Kiefer, K., Palmquist, M., Carbone, N., Cox, M. and Melzer, D. (2000-2021). ‘What is Writing to Learn’ in An Introduction to Writing Across the Curriculum. The WAC Clearinghouse. Available at: https://wac.colostate.edu/repository/resources/teaching/intro/wtl/ Accessed 10 March 2023.
Roozen, K. (2015). ‘Writing is a social and rhetorical activity’, in Adler-Kassner, L. and Wardle, E., (eds.) Naming What We Know: Threshold Concepts of Writing Studies. Logan, UT: Utah State University Press, pp. 17-19